Originally Posted by
jbrown7815
What camera/equipment he use?
Being a part time professional photographer myself, I can tell that the camera used is only part of the big picture. If you are asking because you are interested in shooting pictures like his, then here's my .02 cents:
I'm a Canon shooter so my equipment choice will be bias a little towards the line I know; Canon. However, honestly any decent DSLR (Digital Single Lens Reflex) camera can produce great picture. But start with say a Canon 40D or Xti or even a Digital Rebel or a Rebel XT. Get some good glass in front of it.
These cameras have a "cropped factor" so if you would like to get some wide shots of your car without needing to be real far from the car, then a Wide or ultra wide angle lens. The "kit" 18-55 f/3.5-4.5 IS lens on a sunny day should/would work ok. If you want some tack sharpness and is willing lay out some money for a lens, then either the 17-40 f/4L ($550) or the 16-35mm f/2.8L ($1000 - $1200) will suit just fine. For close ups or just parts of the car you can use 50mm f/1.8 (~$50-80, cheap but fast and sharp) or use the legendary 35mm f/1.4 L (~$1250).
A good external flash unit. I recommend the Canon EX580 II ~ $400. on a light overcast day, which is ideal for pictures, because there will be plenty of sunlight, yet the clouds can "diffuse" or soften the light a bit, to avoid the harsh highlights or shadows.
You would also need a reflector or a big poster board (white) to bounce and reflect the light, again to control it so your shadows are soft and the brights will not be all over the place.
Shot around f/8 to F/11 to maintain a long depth of field. If you want to close in on a particular part of the car, then you would want to use the smaller (bigger opening) F-stop like f/2.8, f/4. This will allow you to get the foreground in focus while the background will bokeh or blur out.
If you are shooting without a decent tripod and/or you want to hand hold the shot, then keep the flash at ETTL, set your apeture at f/8-f/11 (depending on how shallow or how deep the depth of field of your choice) and set your shutter at 200 or 250 (whichever your sync speed is) to stop the blurs due to motion.
Bookmarks